Two velvet-smooth cuts neatly crown the album: "In Love With Myself," a track that could hold its own against Moroder & Oakey’s Electric Dreams any day, is followed by "Higher," on which Chris Willis pays homage to the style of phrasing and embellishment popularized by Stevie Wonder, an approach that has proliferated in both R&B and garage/house music à la New Jersey duo Blaze. The abrasive AC/DC, clearly a future hit on the underground/rave circuit, is like the missing link between Jeff Mills and Ministry of Sound. Open Your Eyes, a track tailor-made for the Stereo MCs, is built on a rubbery break beat and an acid sequence, with a rap that brings their classic Connected to mind. Similarly, the counterpoint of Time evokes Eurythmics’ Sweet Dreams, blending the best of English pop and dance culture – something David has mastered like no one else. "Used To Be The One," with vocals by Willis, owes a debt to both Yazoo’s Don't Go and garage music. The gospel sounds of Chris Willis and the stylings of guest vocalists JD Davis (lead singer of Sinema), James Perry (alias Jimmy Polo, renowned singer/producer on the Chicago scene) and Britain’s Stereo MCs give the tracks a unique luster, while the production skills of Guetta and Garraud lift the album to new – and always spectacular – heights.įrom GUETTA BLASTER’s opening salvos, "Money and Stay," we get beats that are cranked up a notch beyond the hard-dance formula of "Just A Little More Love." Without an ounce of hesitation, the album launches itself at the experimental roots of house music and cold-wave, displaying an unexpected stylistic versatility, then oscillates between powerful mixtures of hot & cold and black & white. All the tracks on this second album are original compositions. David and Joachim Garraud (the first album’s co-composer and co-producer) applied themselves to creating real songs modeled on electro-pop classics of the 80s by such masters as Depeche Mode, Yazoo, Dead Or Alive, and New Order, to name the most prominent influences. Propelled by the rock guitars of the single Money, David’s second album, GUETTA BLASTER, is even gutsier. He is also resident DJ at The Cross in London, Barcelona ‘s Discoteca and the Lausanne club Mad. For the last three years, David has been invited to mix throughout Europe on a regular basis and, more and more often, in the United States, Australia, Japan, Singapore and Israel as well. Named after the parties he hosts on Ibiza, the fabled isle of techno, David's "F*** ME I'M FAMOUS: IBIZA DJ MIX", which featured his remix of David Bowie's "Heroes," went gold: no small feat for a compilation CD. His first album heralded the beginning of a new DJ career – this time on a global level. Les Halles district in the mid-80s, going on to make a name for himself in acid-house and hip-hop. Like fellow Frenchman Laurent Garnier, David started off his career in the gay clubs around Paris. This resounding success carried through in the album's second, even more devastating single, "Love Don't Let Me Go," a track reminiscent of Moroder's techno-disco style crossed with Depeche Mode's new-wave sound. Launched by the single "Just A Little More Love," an electro-funk-house cocktail featuring Chris Willis of the band Nashville on vocals, David Guetta’s first album was released by Virgin in June 2002 and went on to sell 250,000 copies. In 2001, however, he went back to his first love: making music. He was the pioneer of French house with "Up & Away," a garage-style track with vocals by Robert Owens released in 1994 – really made a name for himself in the mid-90s as one of the key catalysts of Parisian nightlife by promoting evenings at such renowned Paris hot spots as Folies Pigalle, Queen, Bataclan, Palace and Les Bains, where he invited DJ legends like Little Louie Vega, David Morales, DJ Pierre and Roger Sanchez to join him on the turntables. Other patents pending.ĭavid Guetta (born November 7th, 1967 in Paris) is a French DJ. Lyrics © Peermusic Publishing, Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., SHAPIRO BERNSTEIN & CO. PIERRE DAVID GUETTA, SIA KATE I FURLER, GIORGIO TUINFORTPublished by I'll wait this out, by the hourBy design, God gave me feelings Quiet bursts, so to hurt the whispererAnd though I struggle through the days now I hear voices, and then the whisper comes I feel sure that they willOh revelation, comes in whatever form to save me Your voice was louderBy design, God gave me feelings So why couldn't I now, why couldn't I now? Sia) by David Guetta Lyricsīut I couldn't look down, but I couldn't look down
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